Cold Pavement here lies
Thought his sorrows were lies
but the tears in his eyes
Softened any despise
With the ground just as wet
As when the pavement was set
I refuse to just fret
at his every regret
Had circumstances been not
I wouldn’t be here to rot
but’tempers cannot run hot
With such sorrows in plot
But regardless of cries
We’re all here with the flies
With my son, half my size
Who has met his demise
Our angers shall both have to die.
This poem © Kevin Blain Harrison. Published Dec 19, 2011
——-
Drink Responsibly.
http://www.drinksmart.com/
http://www.madd.org/drunk-driving
Hot chili my meal
Cold water to chill
Cold whiskey to deal
On my way to the wheel
Full on leaded to last
Loud music To blast
Drink my liquor down fast
Cut a saw through my cast
Push the pedal with bone
Pour my whiskey to stone
Take a shot to the dome
Down the av’nue alone
I’m numb off the pill
Hit the ‘standers stood still
Left a pain in my will
That neither could feel
Our fam’lies shall both have to deal.
This poem © Kevin Blain Harrison. Published Dec 18, 2011
——-
Drink Responsibly.
http://www.drinksmart.com/
http://www.madd.org/drunk-driving
I try to change my change my syntax
So truths don’t sound like thin facts,
but truths come at the price of repetition—
It’s a Win Tax.
I try to change my viewpoints
See this corridor from two points,
A pencil shade of twin sides
Will win me only two points
I’m stuck in the captivity,
Of all my scenes nativity,
Like Brothers Grimm,
Darkly call,
A need to switch my imagery.
The way I speak grows hollow,
The old me I will follow,
And if I don’t fix this shallowness soon,
The same I’ll hope tomorrow.
Manually, I stuff fluff into my head,
The same way an A-cup stuffs tissue into her bra,
In hopes to come up to my peers
With my neck held high, chest poked out,
And wear a fabricated hubris like a badge.
But those who, correctly, question my new found respect
Sneak right in front of my eyes, creating an aversion,
Reach into my head, and pull out the scented, triple-ply fluff
And leave me here embarrassed,
Hubris deftly deflated, leaving me to retract my chest,
And to pull my torso in with my arms.
The next time, I’ll reach out for a more definitive fluff
As if to brainwash myself into admitting defeat,
And succumb to the enhancements to which I’ve been guaranteed,
The quality assured by every channel on my television
So next time I face this encounter,
They will try again to reach into my head and pull out the scented, triple-ply fluff
And will find that they cannot, but their judgments become no less fragile
Because my manually-installed fluff becomes no more authentic.
This poem © Kevin Blain Harrison. Published Dec 14, 2011
I’m here, waiting for you, being left to frostbite
In this outdoor Cabana bar, built here for obnoxious effect,
Waiting for the sweet splendor of the tea you owe me for my wait.
The explanation you owe me is brewing
In the pot of green tea in the back of your head,
But those culinary chops you flaunt are beginning to come into question.
The customer is always right, so I trust you’ll heed to my request:
Spare me the shallow, vapid sans-calorie Sweet’N Low and Splenda,
And give me a large dose of pure white Domino,
No matter how abrasive or saturated it may be.
And 40-minutes-past-midnight or not,
Regardless of whether or not I am being done a courtesy to sit at this bistro,
At least under the lukewarm lights of this awkwardly set cabana,
I hope I can enjoy the sweet, Splenda-less Splendor of this tea in timely manner
So please pour me my cup, before the water I asked you to pour
Evaporates from the pot
And never makes its way into my cup.
When I was a young, young child,
The radio would turn me into a superhero.
Not like a comic book or movie superhero,
But the kind you would see on the Science channel in today.
And while other kids would read their comic books exclusively,
Their parents’ obnoxious Grown-Up Rock playing in the background, quashing their fantasy,
A much different scenario would construct across the street, at my house.
Instead of looking at colorful pages in my hands,
I would turn off the lights in my room, sit on the ground in front of my radio,
And leave the room completely dark.
It was then, when the music pumped through my radio
that I saw true colors; the kind that couldn’t be appreciated on paper.
When I sat in my room, in front of my radio, in the developing dark
My entire room became a radio negative.
My entire room became a three-dimensional picture, like a photograph,
That couldn’t come into contact with any external light,
Because it would distort the internal light captured within the image.
I would sit down in front of this radio, and would emulate my heroes to the music.
I would look at the speakers bumping, and would swear I could see the sounds
And I would hear the colors the light would admit in return.
It was an infinitely branching process.
It was then, whenever I was in the dark,
that I could see why my peers couldn’t enjoy the music.
They heard their parents’ music interrupting their focus on the colors at which they looked,
And have failed to realize that the range of music isn’t limited to audible sound.
With music, with spoken word, with expression, all senses are to be taken into account.
Music is meant for you to see the picture the artists paint for you,
And you need to trust in them to lead you a gorgeous backdrop.
Music is meant for you to smell the nostalgia of places you’ve only rarely visited,
And you need to trust in them to give you a one-way ticket back to that location.
Music is meant for you to feel the treble and bass against your back and chest
And you need to trust in them to bring you an involved intensity, even on your bedroom floor.
And most importantly, most encompassing,
Music is meant to take a photograph that will last you until the next time you admire the picture
And you need to trust in them to not trap only a light, but the entirety of a moment.
And if you can realize that, you too can have—
Or at least emulate—
The sensory masterminds you see on TV Science documentaries
Who use their synesthesia with which they were graced at birth to become superheroes.
If you can appreciate such a synesthesia,
I’m sure that you, too, can understand
That music, like all other forms of poetry,
Are meant to be, not used for fading effect, but rather admired,
like a photograph.
This poem © Kevin Blain Harrison. Published Dec 12, 2011
My eyes lock on your silhouette.
With each passing moment I get more nervous,
Because you’re the only person I can’t figure out,
While this nervousness gives me away
like bright, chromatic, flashing warning flares,
So pray tell.
I wish I could take a second to look down at the treasure I guard,
But secretly, you and I know that this is exactly what I want.
So I shuffle my investment, in my warm hands, under a cold gaze—
Or, what may as well be a cold gaze,
since I can’t risk having you bring such a look to fruition.
I hold my investments, like children you are soon to adopt,
And it would kill me to part with these children
Without seeing their faces one last time,
But it’d be unfair to both them and me to take the risk
So pray tell.
You do not, however, give in to my wish,
And I give to you the ‘children’ I’ve birthed through my had labor.
Yet, it is for the best,
Because my children should not have to suffer,
With such a messy, disheveled, unkempt, stressed parent
But I have since cleaned up my act,
And am more than ready to make reparations.
I still, however, need to face the same obstacle from moments before,
So pray tell.
This poem © Kevin Blain Harrison. Published Aug 29, 2011
It’s not that I’m surrounded by Yes Men.
It’s that, I’m surrounded by people who read the story written on my face
And assess, that I have a face of a man surrounded by No Men.
And falsely so.
They mean well, and I suppose I appreciate it,
but their efforts to bring me rising to the surface,
is the weight tied to my ankle that’s causing me to drown.
So I am left,
with Yes Men,
Friends willing to substitute, but causing damage in replacing the familiar,
And no men, that can smell the pandering of the substitutes from away,
And not are unwilling to support me, and want nothing to do with me.
I look left, and find for me a thumbs up,
That deters me from moving forward
I look right, and find for me a thumbs down,
That validates my comeuppance, but shows no more promise.
This poem © Kevin Blain Harrison. Published Aug 26, 2011
Hey kid,
I’ve seen you around these parts before.
I’ve seen the way the inner workings of your mind work and portray themselves,
And it seems to me that you’re in way over your head right now.
You roll with a snotty nose crowd,
Roaming the streets with your nose powdered up—
With the shavings of chalk.
Roaming the streets with your arms punctured—
With accidental pencil wounds.
Roaming the streets with the natural color of your lips tinted—
With the grape Kool-aid you drank at breakfast.
I’ve seen the way you look at such a young age,
And it reminds me of the same dumb look I had,
At that same young age,
And if that’s any indication, you’re going down a reckless path.
It is because of this empathy I hold for you that I offer
An invitation I never entertained the thought of at your age,
That I now wish I had back when I WAS your age;
A chance to roll with the Big Kids.
See, we’ve been fucked up for years,
So long that we know the perfect concentration for the perfect formula.
If you join us, you can do whatever you want, while your inhibitions fade, because
We big kids are far too young to take harm, and
We big kids are far too old the take harm.
Some say we’re immoral,
But we prefer ‘immortal.’
So pinch your nose, as to stop from smelling their self-righteous bullshit,
And STRONGLY breathe in the powdery essence of rebellion.
This may sting.
This poem © Kevin Blain Harrison. Published Aug 25, 2011
With this smug grin across my face,
I sit NEXT to the Breakfast of Champions
The Black Tie Affair occurring above my crown,
A cacophony of sounds occurring near me,
Providing I sound I love, but a sound I’ve yet to be seasoned enough to mimic
And the veterans that sit at the table,
Look down upon us,
Happily supporting us, supporting me,
With their “Good job, son,” and their
“Here’s looking at you, kid”
But The ruckus of their laughs and cheers preventing me from hearing them
Assuring we princes and princesses have a chance at true royalty,
And the warm light emits from above their table
Unable for me to see, backlights them,
So that the shadows deter me from discerning the support on their faces
I Feast on a synthetic chocolate cake,
Straight out of the Easy Bake Oven,
While the princes and princesses amongst which I sit
Eat their convenient store cookies whilst looking towards me, and admire.
I drink my Citrus punch out of a glass,
But my royal peers are degraded to quenching their thirst out of a cardboard box,
While the princes and princesses amongst which I sit,
Drink their grape juice whilst looking towards me, and admire.
And foolishly they do,
Because only my throne is high enough,
To see the meals we could be dining on,
The elegant and prestigious silverware we could admire,
And only my throne is high enough,
To realize how low we truly all sit.
This poem © Kevin Blain Harrison. Published Aug 23, 2011